Chapel 340R

The Content Chapel 340R is a model that comes standard with a 6-channel external audio system, with internal speakers optionally added, of course. The use of modular speaker systems allows the radiation and position of the speakers to be determined and changed on-site. Connecting additional (bass) speakers is also a possibility. Thanks to the proprietary Content Contenation® software, voicing to the space and location has never been so straightforward.

3 velocity sensitive manuals 4x 40 lighted drawknobs 4 Unique organ styles External speakers (monitor system option) Churches about 800 people (depending on the church size)

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Four total different organ sounds

Optimal experience

The four different tonal worlds (each with 40 speaking voices) are composed of voices from various historical pipe organs in Europe. The sound is characterized by clarity and carrying power, making the organ highly suitable for accompanying congregational singing. When using the Classic style (à la Bätz-Witte), you can accompany your congregation with powerful principals, warm flutes, and beautiful accompanying stops like the Cornet and Sesquialter. As you build further, you'll get a magnificent plenum, complemented by reeds and mixture stops.

Chapel 340 - CBM121 - detail 4 (1)
Illuminated drawknobs

Cabinet

The Chapel 340R comes standard in a model with illuminated drawknobs on both sides of the manuals. This provides the model with the optimal experience of a pipe organ. The organ case is, of course, standard with a roll-top cover. Attractive options, such as an LED-lit music stand or wooden-filled keyboards, complete the overall organ experience.

The Chapel 340R is built in an oak cabinet, with various color options available. Content's cabinetmakers work daily on selecting, processing, and coloring pre-selected oak wood. As a result, the Content Chapel 340R is a delight for the ears and eyes in your church or concert hall.

Intonation on every detail!

Contentation

An important element in Content's church organs is the ability to intonate an organ entirely to one's taste and with an eye for the specific characteristics of the (church) space. With a software program developed specifically for this purpose (Contenation®), it is possible to build the disposition and settings of the organ entirely from scratch. This includes, among other things, the ability to distribute stops across various outputs, adjust the tonal character, volumes, and tremulants per key and per stop, or fine-tune the voicing to the acoustics of the space. Detail-oriented finishing!

Chapel 340R

Specifications

Stop list
Baroque
  • Pedal

    9
  • Prinzipal

    16'

  • Subbass

    16'

  • Quintbass

    12'

  • Oktave

    8'

  • Gedackt

    8'

  • Oktave

    4'

  • Posaune

    16'

  • Trompete

    8'

  • Cornet

    4'

  • Koppel Ped.-Pos.

  • Koppel Ped.-Hw.

  • Koppel Ped.-Sw.

  • Positiv

    8
  • Gedackt

    8'

  • Quintadena

    8'

  • Prinzipal

    4'

  • Rohrflote

    4'

  • Quintflote

    3'

  • Octave

    2'

  • Sesquialtera

    II fach

  • Dulzian

    8'

  • Tremulant

  • Koppel Pos.-Sw.

  • Hauptwerk

    11
  • Quintadena

    16'

  • Prinzipal

    8'

  • Rohrflote

    8'

  • Oktave

    4'

  • Blockflote

    4'

  • Quinte

    3'

  • Super Oktave

    2'

  • Tertian

    II fach

  • Mixtur

    VI fach

  • Trompete

    16'

  • Trompete

    8'

  • Tremulant

  • Koppel Hw.-Pos.

  • Koppel Hw.-Sw.

  • Schwellwerk

    12
  • Prinzipal

    8'

  • Holzflote

    8'

  • Viola da Gamba

    8'

  • Voce Umana

    8'

  • Oktave

    4'

  • Spitzflote

    4'

  • Nasat

    3'

  • Waldflote

    2'

  • Scharff

    IV fach

  • Fagott

    16'

  • Trompete

    8'

  • Oboe

    8'

  • Tremulant

Classic
  • Pedaal

    9
  • Prestant

    16'

  • Subbas

    16'

  • Roerquint

    12'

  • Octaaf

    8'

  • Gedekt

    8'

  • Octaaf

    4'

  • Bazuin

    16'

  • Trompet

    8'

  • Schalmeij

    4'

  • Koppel Ped.-Pos.

  • Koppel Ped.-Hw.

  • Koppel Ped.-Zw.

  • Positief

    8
  • Holpijp

    8'

  • Fluit Traverse

    8'

  • Prestant

    4'

  • Roerfluit

    4'

  • Quintfluit

    3'

  • Woudfluit

    2'

  • Sesquialter

    III

  • Dulciaan

    8'

  • Tremulant

  • Koppel Pos.-Zw.

  • Hoofdwerk

    11
  • Bourdon

    16'

  • Prestant

    8'

  • Roerfluit

    8'

  • Octaaf

    4'

  • Speelfluit

    4'

  • Quint

    3'

  • Octaaf

    2'

  • Cornet

    V

  • Mixtuur

    IV-V

  • Trompet

    16'

  • Trompet

    8'

  • Tremulant

  • Koppel Hw.-Pos.

  • Koppel Hw.-Zw.

  • Zwelwerk

    12
  • Baarpijp

    8'

  • Quintadeen

    8'

  • Gamba

    8'

  • Celeste

    8'

  • Salicet

    4'

  • Fluit

    4'

  • Nasard

    3'

  • Gemshoorn

    2'

  • Mixtuur

    III-IV

  • Fagot

    16'

  • Schalmeij

    8'

  • Vox Humana

    8'

  • Tremulant

Romantic
  • Pedalier

    9
  • Contrebasse

    16

  • Soubasse

    16

  • Quint Basse

    10 2/3

  • Basse

    8

  • Flute

    8

  • Flute

    4

  • Bombarde

    16

  • Trompette

    8

  • Clairon

    4

  • Tirasse Positif

  • Tirasse Grand Orgue

  • Tirasse Recit Expressif

  • Positif

    8
  • Salicional

    8

  • Unda Maris

    8

  • Prestant

    4

  • Flute Douce

    4

  • Nasard

    2 2/3

  • Piccolo

    2

  • Carillon

    1-3 rgs.

  • Cromorne

    8

  • Tremblant

  • Accouplement Rec.-Pos.

  • Grand Orgue

    11
  • Bourdon

    16

  • Montre

    8

  • Flute Harmonique

    8

  • Prestant

    4

  • Flute

    4

  • Quinte

    2 2/3

  • Doublette

    2

  • Cornet

    5 rgs.

  • Plein Jeu

    7 rgs.

  • Bombarde

    16

  • Trompette

    8

  • Tremblant

  • Accouplement Pos.-G.O.

  • Accouplement Rec.-G.O.

  • Recit

    12
  • Diapason

    8

  • Cor de Nuit

    8

  • Viole de Gambe

    8

  • Voix Celeste

    8

  • Principal

    4

  • Flute Octaviante

    4

  • Nasard

    2 2/3

  • Octavin

    2

  • Plein Jeu

    4 rgs.

  • Basson

    16

  • Trompette

    8

  • Basson-Hautbois

    8

  • Tremolo

Symphonic
  • Pedal

    9
  • Open Wood

    16'

  • Bourdon

    16'

  • Stopped Quint

    10 2/3'

  • Principal

    8'

  • Flute

    8'

  • Fifteenth

    4'

  • Trombone

    16'

  • Trumpet

    8'

  • Clarion

    4'

  • Choir to Pedal

  • Great to Pedal

  • Swell to Pedal

  • Choir

    8
  • Stopped Diapason

    8'

  • Dulciana

    8'

  • Principal

    4'

  • Chimney Flute

    4'

  • Nasard

    2 2/3'

  • Fifteenth

    2'

  • Cornet

    III rks.

  • Cremona

    8'

  • Tremulant Douce

  • Swell to Choir

  • Great

    11
  • Bourdon

    16'

  • Open Diapason

    8'

  • Stopped Diapason

    8'

  • Principal

    4'

  • Suabe Flute

    4'

  • Twelfth

    2?'

  • Fifteenth

    2'

  • Sesquialtera

    II rks.

  • Mixture

    V rks.

  • Double Trumpet

    16'

  • Trumpet

    8'

  • Tremulant

  • Choir to Great

  • Swell to Great

  • Swell

    12
  • Open Diapason

    8'

  • Stopped Diapason

    8'

  • Salicional

    8'

  • Vox Angelica

    8'

  • Principal

    4'

  • Flute

    4'

  • Nasard

    2 2/3'

  • Fifteenth

    2'

  • Mixture

    III rks.

  • Fagotto

    16'

  • Cornopean

    8'

  • Hautboy

    8'

  • Tremulant