Church organs

Chapel 346R

The Chapel 346R is one of the 3-manual models at the top of our Chapel series. Thanks to an advanced software platform, the possibilities are virtually limitless. By easily expanding the number of channels or routing and switching voices to various channels, this organ has everything for optimal calibration and performance in your (church) space. Due to the many options available for expanding the organ, this model is one of the most installed church organs by Content.

This organ is available in all color variations!

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Experience over 120 orchestral voices.

The organ as an orchestra.

This model demonstrates that an organ can not only sound like an organ but can also come to life as an orchestra. With a standard built-in library of over 120 solo and orchestral voices, you can bring every musical style and sonic world to life. The usage of these voices depends entirely on the liturgical context. Whether it's accompanying the choir with piano sounds or playing along with various solo voices in the ensemble, this Content Chapel has it all.

Chapel 346 - CBM 161 - detail 8
High-quality organ sound through multi-channel audio systems.

Quality as a promise.

"Quality is our most important stop." This promise is one that Content Organs is proud to uphold. An included 8-channel audio system can be expanded to as many as 32 separate audio channels, allowing for the highest quality and expansive tonal representation. Since each channel has various speakers, it is possible to fulfill the desire for "each speaker having a stop." This significantly enhances the carrying capacity of the instrument, especially when it comes to accompanying congregational or choral singing.

Your organ, a harmonious unity with your church.

Spatiality and tonal color.

The sound of the Cantate 346 is generated based on a so-called dry and lifelike organ sample, combined with various possibilities such as beating, pitch, volume, and reverberation. The overall tonal color that emerges can be finely adjusted to the space by the organist (in consultation with the Content voicer) during installation. This is similar to the process of analog voicing and physical adjustment that takes place during the installation or revision of a pipe organ. In this way, the digital organ forms a harmonious unity with the church space, enhancing collaboration with singers, both collectively and as a unified presence in one space.

Chapel 346R

Specifications

General
  • 3 touch-sensitive keyboards
  • 4x 46 TAB stops
  • 4 unique tonal styles
  • External speakers (monitor system option)
  • Multi-channel audio system
  • Maximum flexible technical capabilities
  • Fully customizable voicing
  • Suitable for churches and halls with up to over 1000 attendance. 
Stop list
Baroque
  • Pedal

    11
  • Principal

    16'

  • Subbas

    16'

  • Octav

    8'

  • Gedackt

    8'

  • Octav

    4'

  • Mixtur

    IV fach

  • Posaun

    32'

  • Posaun

    16'

  • Trommet

    8'

  • Trommet

    4'

  • Cornet

    2'

  • Koppel Ped.-R.P.

  • Koppel Ped.-Werck

  • Koppel Ped.-O.P.

  • Ruck Positiv

    10
  • Principal

    8'

  • Gedackt

    8'

  • Octav

    4'

  • Blockfloit

    4'

  • Octav

    2'

  • Waldfloit

    2'

  • Ziffloit

    1 1/2'

  • Sexquialt

    II fach

  • Scharff

    IV fach

  • Dulcian

    8'

  • Tremulant

  • Koppel R.P.-O.P.

  • Werck

    12
  • Principal

    16'

  • Quintadena

    16'

  • Octav

    8'

  • Hollfloit

    8'

  • Octav

    4'

  • Rohrfloit

    4'

  • Super Octav

    2'

  • Tertian

    II fach

  • Mixtur

    VI fach

  • Cimbel

    III fach

  • Trommet

    16'

  • Trommet

    8'

  • Tremulant

  • Koppel Werck-R.P.

  • Koppel Werck-O.P.

  • Ober Positiv

    13
  • Principal

    8'

  • Rohrfloit

    8'

  • Quintadena

    8'

  • Quinta

    6'

  • Octav

    4'

  • Spitzfloit

    4'

  • Nasat

    3'

  • Flachfloit

    2'

  • Rauschpfeiffe

    II fach

  • Scharff

    V fach

  • Dulcian

    16'

  • Trommet

    8'

  • Vox Humana

    8'

  • Tremulant

Classic
  • Pedaal

    11
  • Praestant

    16 Vt

  • Subbas

    16 Vt

  • Octaaf

    8 Vt

  • Gedekt

    8 Vt

  • Roorquint

    6 Vt

  • Octaaf

    4 Vt

  • Mixtuur

    4 St.

  • Fagot

    32 Vt

  • Bazuin

    16 Vt

  • Trompet

    8 Vt

  • Schalmy

    4 Vt

  • Koppel Ped.-Pos.

  • Koppel Ped.-Hw.

  • Koppel Ped.-Zw.

  • Positief

    10
  • Holpyp

    8 Vt

  • Fluyt Traverse

    8 Vt

  • Praestant

    4 Vt

  • Roorfluyt

    4 Vt

  • Quintfluyt

    3 Vt

  • Woudfluyt

    2 Vt

  • Terts

    1 3/5 Vt

  • Sifflet

    1 Vt

  • Mixtuur

    3-4 St.

  • Dulciaan

    8 Vt

  • Tremulant

  • Koppel Pos.-Zw.

  • Hoofdwerk

    12
  • Bourdon

    16 Vt

  • Praestant

    8 Vt

  • Roorfluyt

    8 Vt

  • Viola

    8 Vt

  • Octaaf

    4 Vt

  • Speelfluyt

    4 Vt

  • Quint

    3 Vt

  • Octaaf

    2 Vt

  • Cornet

    5 St.

  • Mixtuur

    5 St.

  • Fagot

    16 Vt

  • Trompet

    8 Vt

  • Tremulant

  • Koppel Hw.-Pos.

  • Koppel Hw.-Zw.

  • Zwelwerk

    13
  • Salicionaal

    8 Vt

  • Baarpyp

    8 Vt

  • Quintadeen

    8 Vt

  • Gamba

    8 Vt

  • Celeste

    8 Vt

  • Salicet

    4 Vt

  • Fluyt

    4 Vt

  • Nasard

    3 Vt

  • Flageolet

    2 Vt

  • Quintfluyt

    1 1/2 Vt

  • Carillon

    3 St.

  • Schalmy

    8 Vt

  • Vox Humana

    8 Vt

  • Tremulant

Romantic
  • Pedalier

    11
  • Soubasse

    32

  • Contrebasse

    16

  • Flute

    16

  • Basse

    8

  • Flute

    8

  • Violoncelle

    8

  • Flute

    4

  • Contre Bombarde

    32

  • Bombarde

    16

  • Trompette

    8

  • Clairon

    4

  • Tirasse Positif

  • Tirasse Grand Orgue

  • Tirasse Recit Expressif

  • Positif

    10
  • Cor de Nuit

    8

  • Salicional

    8

  • Unda Maris

    8

  • Prestant

    4

  • Flute Douce

    4

  • Nasard

    2 2/3

  • Doublette

    2

  • Carillon

    1-3 rgs.

  • Trompette

    8

  • Cromorne

    8

  • Tremblant

  • Accouplement Rec.-Pos.

  • Grand Orgue

    12
  • Bourdon

    16

  • Montre

    8

  • Flute Harmonique

    8

  • Bourdon

    8

  • Prestant

    4

  • Flute

    4

  • Doublette

    2

  • Cornet

    5 rgs.

  • Plein Jeu

    7 rgs.

  • Bombarde

    16

  • Trompette

    8

  • Clairon

    4

  • Tremblant

  • Accouplement Pos.-G.O.

  • Accouplement Rec.-G.O.

  • Recit

    13
  • Quintaton

    16

  • Diapason

    8

  • Flute Traversiere

    8

  • Viole de Gambe

    8

  • Voix Celeste

    8

  • Flute Octaviante

    4

  • Octavin

    2

  • Cornet

    2-5 rgs.

  • Bombarde

    16

  • Trompette

    8

  • Basson-Hautbois

    8

  • Voix Humaine

    8

  • Clairon

    4

  • Tremolo

Symphonic
  • Pedal

    11
  • Open Wood

    16'

  • Bourdon

    16'

  • Violone

    16'

  • Principal

    8'

  • Flute

    8'

  • Fifteenth

    4'

  • Mixture

    IV rks.

  • Contra Fagotto

    32'

  • Trombone

    16'

  • Trumpet

    8'

  • Clarion

    4'

  • Choir to Pedal

  • Great to Pedal

  • Swell to Pedal

  • Choir

    10
  • Stopped Diapason

    8'

  • Wald Flute

    8'

  • Dulciana

    8'

  • Principal

    4'

  • Chimney Flute

    4'

  • Fifteenth

    2'

  • Nineteenth

    1 1/3'

  • Mixture

    II rks.

  • Tromba

    8'

  • Cremona

    8'

  • Tremulant

  • Swell to Choir

  • Great

    12
  • Double Diapason

    16'

  • Open Diapason no.1

    8'

  • Open Diapason no.2

    8'

  • Stopped Diapason

    8'

  • Principal

    4'

  • Suabe Flute

    4'

  • Twelfth

    2 2/3'

  • Fifteenth

    2'

  • Cornet

    III-V rks.

  • Mixture

    V rks.

  • Double Trumpet

    16'

  • Trumpet

    8'

  • Tremulant

  • Choir to Great

  • Swell to Great

  • Swell

    13
  • Bourdon

    16'

  • Open Diapason

    8'

  • Stopped Diapason

    8'

  • Salicional

    8'

  • Vox Angelica

    8'

  • Principal

    4'

  • Flute

    4'

  • Fifteenth

    2'

  • Mixture

    III rks.

  • Fagotto

    16'

  • Cornopean

    8'

  • Hautboy

    8'

  • Clarion

    4'

  • Tremulant