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Chapel 246R

Flexibility takes center stage with the Content Chapel 246R and Chapel 346R. Thanks to our Invention Technology®, customizing and voicing the organ to individual tastes and preferences is effortlessly achievable with this model. An included 8-channel audio system can be expanded to up to 32 separate audio channels, allowing for a fully expansive tonal representation. This significantly enhances the instrument's carrying capacity, especially when accompanying congregational or choral singing.

This organ is available in all color variations!

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Extensive options in color, keyboards, lighting, and more.

Robust and sturdy

The Chapel 246R is available with illuminated TAB stops or illuminated drawknobs. Optionally, these can also be replaced with mechanically movable drawknobs. A robust oak organ console gives the entire instrument a sturdy appearance. Beautiful extras, such as the option to integrate LED lighting in the music rack, complete the ensemble. Naturally, other interesting options are available, such as wood-filled or entirely wooden keyboards, various pedal variants, and the ability to completely customize the console according to personal taste and color. This ensures that the organ can be installed exactly according to individual preferences.

Chapel 246 - CBM 161 - TAB-stops - detail 1
Experience over 120 orchestral voices.

The organ as your orchestra

This model demonstrates that an organ can not only sound like an organ but can also come to life as an orchestra. With a standard built-in library of over 120 solo and orchestral voices, you can bring every musical style and sonic world to life. The usage of these voices depends entirely on the liturgical context. Whether it's accompanying the choir with piano sounds or playing along with various solo voices in the ensemble, this Content Chapel has it all.

Chapel 246 - CBM 161 - TAB-stops - detail 8
Matching the culture of your church.

Various organ traditions

Between continents and countries, there are cultural differences in the execution and experience of liturgy and congregational singing with an instrument. It is crucial that a church organ aligns with the (cultural) tradition of using the church organ. Accompanying – sometimes massive – congregational singing is particularly important. Therefore, organs from the Dutch architectural style are characterized by their carrying capacity, foundation, and various voiced stops for accompaniment. Thanks to years of experience with real-sampling, Content Organs' digital sample library is exceptionally extensive in this regard. Particularly, recordings of various Dutch organs and distinctive Dutch stops (such as the Cornet as a congregational stop) make a Content Organs' organ the most optimal alternative for Dutch churches seeking a digital organ over a pipe organ.

Chapel 246 - CBM 161 - TAB-stops - detail 6
Chapel 246R

Specifications

General
  • 2 touch-sensitive keyboards 
  • 4x 46 TAB or illuminated stops
  • Floating division (Positive/Choir)
  • 4 unique tonal styles
  • External speakers (monitor system option)
  • Multi-channel audio system
  • Maximum flexible technical capabilities
  • Fully customizable voicing
  • Suitable for churches and halls with up to 1000 attendance. 
Stop list
Baroque

  • Pedal

    11
  • Principal

    16'

  • Subbas

    16'

  • Octav

    8'

  • Gedackt

    8'

  • Octav

    4'

  • Mixtur

    IV fach

  • Posaun

    32'

  • Posaun

    16'

  • Trommet

    8'

  • Trommet

    4'

  • Cornet

    2'

  • Koppel Ped.-R.P.

  • Koppel Ped.-Werck

  • Koppel Ped.-O.P.

  • Ruck Positiv

    10
  • Principal

    8'

  • Gedackt

    8'

  • Octav

    4'

  • Blockfloit

    4'

  • Octav

    2'

  • Waldfloit

    2'

  • Ziffloit

    1 1/2'

  • Sexquialt

    II fach

  • Scharff

    IV fach

  • Dulcian

    8'

  • Tremulant

  • Koppel O.P.-R.P.

  • Werck

    12
  • Principal

    16'

  • Quintadena

    16'

  • Octav

    8'

  • Hollfloit

    8'

  • Octav

    4'

  • Rohrfloit

    4'

  • Super Octav

    2'

  • Tertian

    II fach

  • Mixtur

    VI fach

  • Cimbel

    III fach

  • Trommet

    16'

  • Trommet

    8'

  • Tremulant

  • Koppel Werck-R.P.

  • Koppel Werck-O.P.

  • Ober Positiv

    13
  • Principal

    8'

  • Rohrfloit

    8'

  • Quintadena

    8'

  • Quinta

    6'

  • Octav

    4'

  • Spitzfloit

    4'

  • Nasat

    3'

  • Flachfloit

    2'

  • Rauschpfeiffe

    II fach

  • Scharff

    V fach

  • Dulcian

    16'

  • Trommet

    8'

  • Vox Humana

    8'

  • Tremulant

Classic

  • Pedaal

    11
  • Praestant

    16 Vt

  • Subbas

    16 Vt

  • Octaaf

    8 Vt

  • Gedekt

    8 Vt

  • Roorquint

    6 Vt

  • Octaaf

    4 Vt

  • Mixtuur

    4 St.

  • Fagot

    32 Vt

  • Bazuin

    16 Vt

  • Trompet

    8 Vt

  • Schalmy

    4 Vt

  • Koppel Ped.-Pos.

  • Koppel Ped.-Hw.

  • Koppel Ped.-Zw.

  • Positief

    10
  • Holpyp

    8 Vt

  • Fluyt Traverse

    8 Vt

  • Praestant

    4 Vt

  • Roorfluyt

    4 Vt

  • Quintfluyt

    3 Vt

  • Woudfluyt

    2 Vt

  • Terts

    1 3/5 Vt

  • Sifflet

    1 Vt

  • Mixtuur

    3-4 St.

  • Dulciaan

    8 Vt

  • Tremulant

  • Koppel Zw.-Pos.

  • Hoofdwerk

    12
  • Bourdon

    16 Vt

  • Praestant

    8 Vt

  • Roorfluyt

    8 Vt

  • Viola

    8 Vt

  • Octaaf

    4 Vt

  • Speelfluyt

    4 Vt

  • Quint

    3 Vt

  • Octaaf

    2 Vt

  • Cornet

    5 St.

  • Mixtuur

    5 St.

  • Fagot

    16 Vt

  • Trompet

    8 Vt

  • Tremulant

  • Koppel Hw.-Pos.

  • Koppel Hw.-Zw.

  • Zwelwerk

    13
  • Salicionaal

    8 Vt

  • Baarpyp

    8 Vt

  • Quintadeen

    8 Vt

  • Gamba

    8 Vt

  • Celeste

    8 Vt

  • Salicet

    4 Vt

  • Fluyt

    4 Vt

  • Nasard

    3 Vt

  • Flageolet

    2 Vt

  • Quintfluyt

    1 1/2 Vt

  • Carillon

    3 St.

  • Schalmy

    8 Vt

  • Vox Humana

    8 Vt

  • Tremulant

Romantic

  • Pedalier

    11
  • Soubasse

    32

  • Contrebasse

    16

  • Flute

    16

  • Basse

    8

  • Flute

    8

  • Violoncelle

    8

  • Flute

    4

  • Contre Bombarde

    32

  • Bombarde

    16

  • Trompette

    8

  • Clairon

    4

  • Tirasse Positif

  • Tirasse Grand Orgue

  • Tirasse Recit Expressif

  • Positif

    10
  • Cor de Nuit

    8

  • Salicional

    8

  • Unda Maris

    8

  • Prestant

    4

  • Flute Douce

    4

  • Nasard

    2 2/3

  • Doublette

    2

  • Carillon

    1-3 rgs.

  • Trompette

    8

  • Cromorne

    8

  • Tremblant

  • Accouplement Pos.-Rec.

  • Grand Orgue

    12
  • Bourdon

    16

  • Montre

    8

  • Flute Harmonique

    8

  • Bourdon

    8

  • Prestant

    4

  • Flute

    4

  • Doublette

    2

  • Cornet

    5 rgs.

  • Plein Jeu

    7 rgs.

  • Bombarde

    16

  • Trompette

    8

  • Clairon

    4

  • Tremblant

  • Accouplement Pos.-G.O.

  • Accouplement Rec.-G.O.

  • Recit

    13
  • Quintaton

    16

  • Diapason

    8

  • Flute Traversière

    8

  • Viole de Gambe

    8

  • Voix Celeste

    8

  • Flûte Octaviante

    4

  • Octavin

    2

  • Cornet

    2-5 rgs.

  • Bombarde

    16

  • Trompette

    8

  • Basson-Hautbois

    8

  • Voix Humaine

    8

  • Clairon

    4

  • Tremolo

Symphonic

  • Pedal

    11
  • Open Wood

    16'

  • Bourdon

    16'

  • Violone

    16'

  • Principal

    8'

  • Flute

    8'

  • Fifteenth

    4'

  • Mixture

    IV rks.

  • Contra Fagotto

    32'

  • Trombone

    16'

  • Trumpet

    8'

  • Clarion

    4'

  • Choir to Pedal

  • Great to Pedal

  • Swell to Pedal

  • Choir

    10
  • Stopped Diapason

    8'

  • Wald Flute

    8'

  • Dulciana

    8'

  • Principal

    4'

  • Chimney Flute

    4'

  • Fifteenth

    2'

  • Nineteenth

    1 1/3'

  • Mixture

    II rks.

  • Tromba

    8'

  • Cremona

    8'

  • Tremulant

  • Choir to Swell

  • Great

    12
  • Double Diapason

    16'

  • Open Diapason no.1

    8'

  • Open Diapason no.2

    8'

  • Stopped Diapason

    8'

  • Principal

    4'

  • Suabe Flute

    4'

  • Twelfth

    2 2/3'

  • Fifteenth

    2'

  • Cornet

    III-V rks.

  • Mixture

    V rks.

  • Double Trumpet

    16'

  • Trumpet

    8'

  • Tremulant

  • Choir to Great

  • Swell to Great

  • Swell

    13
  • Bourdon

    16'

  • Open Diapason

    8'

  • Stopped Diapason

    8'

  • Salicional

    8'

  • Vox Angelica

    8'

  • Principal

    4'

  • Flute

    4'

  • Fifteenth

    2'

  • Mixture

    III rks.

  • Fagotto

    16'

  • Cornopean

    8'

  • Hautboy

    8'

  • Clarion

    4'

  • Tremulant