Sample sets

Dudelange St.Martin

The organ in St. Martin’s church was built in 1912 by the organbuilder Georg Stahlhuth (1830-1913) and his son Eduard Stahlhuth (1862-1916). As Germans, installed at Aachen, Georg and Eduard Stahlhuth had all the basic knowledge of German romantic organbuilding. As disciples and close friends of Joseph Merklin at Brussels and Lyon, they had a share in the development of French symphonic organbuilding. Their contracts in England and Ireland provided them with good knowledge of English romantic organbuilding. Thus, they were among the rare organbuilders able to incorporate both French and English characteristics into German romantic organbuilding, defending in this way Albert Schweitzer’s ideas in matter of organbuilding, ideas on which the project founded in 1912.

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An organ with character

The three-manual organ of 1912 had 45 stops (and 3 transmissions under expression in the pedal) on cone-valve chests with pneumatic note and stop action. Wind was supplied by three English water engines. A further borrowing from English organbuilding was the high-pressure Tuba mirabilis 8‘ in the Positiv-Swell division, voiced on 300 mm. Typical French faetures were the overblowing stops (typical of Stahlhuth’s organs) and the reeds of French-style construction (with tin-plated shallots), of which at least three were supplied by the Paris firm Veuve Jules Sézerie: Vox humana 8', Tuba 8' and Posaune 16' (octave grave de bombarde 16', grosse taille).


A German romantic organ

Basically, however, the organ was attuned to German romantic style, with plentiful foundation 8‘-stops, differentiation in the manuals according to the various scalings (wide, normal, narrow) and their dynamic gradation (f, mf, p). Besides the high-pressure Tuba mirabilis, the organ had two further „Starkton-Register“ (strong and expressive in tonal design): Seraphon Gedackt 8‘ and Seraphon Flöte 8‘, each with two mouths. With theese three loud toned stops, the numerous foundation stops and the two expressive divisions with their sub and superoctave couplers, the organ had an exceptionally broad dynamic spectrum.

An organ for all styles

In 1962, in accordance with the then predominant neobaroque tonal aesthetic, the organ suffered far reaching modifications in total negligence of its stylistic specificity: reduction of the wind pressure, replacement of the pneumatic action by electric action, removal of the original console, changes to the pipework, transfer of stops onto other windchests, addition of high-pitched mixtures and mutations, as well as a fourth manual of neobaroque conception and removal of characteristic Stahlhuth stops.

After the organ had become nearly unplayable in the middle of the 1990s, a renovation of the organ had become inescapable. From 2001 to 2002, these renovation was carried out by organbuilder Thomas Jann, Laberweinting (Germany) and his craftsmen.

Thus, since 2002, the most significant trait of the organ is the stylistically authentic performance not only of German but also of French and English repertoire from the romantic-symphonic era.

This organ can be ordered with all our Cambiare organs through supplier Voxus Virtual Organs.

Dudelange St.Martin


  • Stahlhuth, 1912
  • 4 manuals
  • 72 stops


On this page, you see only a selection of sample sets; of course, all sample sets for Hauptwerk and Sweelinq are available for our Cambiare organs. There are now hundreds of organs available, ranging from small Baroque organs to large symphonic instruments. Through various sample set providers, we can offer you the complete library of sample sets in our Cambiare organs. Do you have any questions about a specific sample set?

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